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| Deliverance (Deluxe Edition) | 
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| Director: John Boorman
Actors: Jon Voight, Ned Beatty, Burt Reynolds
Studio: Warner Home Video
Category: DVD
List Price: $19.97
Buy New: $6.43
You Save: $13.54 (68%)
New (47) Used (19) from $5.78
Avg. Customer Rating:  189 reviews
Sales Rank: 2909
Format: Ac-3, Anamorphic, Closed-captioned, Color, Dolby, Dubbed, Dvd-video, Original Recording Remastered, Subtitled, Widescreen, Ntsc
Languages: English (Original Language), Spanish (Subtitled), French (Dubbed)
Rating: R (Restricted)
Number Of Items: 1
Running Time: 109
Aspect Ratio: 1.66:1
Shipping Weight (lbs): 1
Dimensions (in): 7.5 x 5.4 x 0.6
MPN: WARD116512D
UPC: 085391165125
EAN: 0085391165125
ASIN: B000RTB0R6
Theatrical Release Date: 1972
Release Date: September 18, 2007
Availability: Usually ships in 1-2 business days
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Product Description
Studio: Warner Home Video Release Date: 01/08/2008 Run time: 109 minutes Rating: R
Amazon.com essential video
One of the key films of the 1970s, John Boorman's Deliverance is a nightmarish adaptation of poet-novelist James Dickey's book about various kinds of survival in modern America. The story concerns four Atlanta businessmen of various male stripe: Jon Voight's character is a reflective, civilized fellow, Burt Reynolds plays a strapping hunter-gatherer in urban clothes, Ned Beatty is a sweaty, weak-willed boy-man, and Ronny Cox essays a spirited, neighborly type. Together they decide to answer the ancient call of men testing themselves against the elements and set out on a treacherous ride on the rapids of an Appalachian river. What they don't understand until it is too late is that they have ventured into Dickey's variation on the American underbelly, a wild, lawless, dangerous (and dangerously inbred) place isolated from the gloss of the late 20th century. In short order, the four men dig deep into their own suppressed primitiveness, defending themselves against armed cretins, facing the shock of real death on their carefully planned, death-defying adventure, and then squarely facing the suspicions of authority over their concealed actions. Boorman, a master teller of stories about individuals on peculiarly mythical journeys, does a terrifying and beautiful job of revealing the complexity of private and collective character--the way one can never be the same after glimpsing the sharp-clawed survivor in one's soul. --Tom Keogh
Amazon.com
One of the key films of the 1970s, John Boorman's Deliverance is a nightmarish adaptation of poet-novelist James Dickey's book about various kinds of survival in modern America. The story concerns four Atlanta businessmen of various male stripe: Jon Voight's character is a reflective, civilized fellow, Burt Reynolds plays a strapping hunter-gatherer in urban clothes, Ned Beatty is a sweaty, weak-willed boy-man, and Ronny Cox essays a spirited, neighborly type. Together they decide to answer the ancient call of men testing themselves against the elements and set out on a treacherous ride on the rapids of an Appalachian river. What they don't understand until it is too late is that they have ventured into Dickey's variation on the American underbelly, a wild, lawless, dangerous (and dangerously inbred) place isolated from the gloss of the late 20th century. In short order, the four men dig deep into their own suppressed primitiveness, defending themselves against armed cretins, facing the shock of real death on their carefully planned, death-defying adventure, and then squarely facing the suspicions of authority over their concealed actions. Boorman, a master teller of stories about individuals on peculiarly mythical journeys, does a terrifying and beautiful job of revealing the complexity of private and collective character--the way one can never be the same after glimpsing the sharp-clawed survivor in one's soul. --Tom Keogh On the DVD
The single-disc deluxe edition of Deliverance has plenty to recommend it over the previously released DVD. In addition to an improved transfer, director John Boorman recorded a full-length commentary track in which he explains how he shot the famous "Duelling Banjos" scene when the boy didn't know how to play the banjo, how he was instructed to use unknown actors and came up with Ronny Cox and Ned Beatty, and how he persuaded Jon Voight to do the picture when the actor was going through a difficult time ("he told me I saved his life, , then spent three months trying to kill him"). A 2007 55-minute documentary is split into four parts: The Beginning, The Journey, Betraying the River (focusing on the "squeal like a pig" scene), and Delivered. Voight, Cox, Beatty, Burt Reynolds, and Boorman all participate, as do director of photography Vilmos Zsigmond and "mountain man" Bill McKinney. Christopher Dickey, son of the author of the original novel, James Dickey, also recounts his father's experiences with the film and how he eventually had to be asked to leave the set. Included from the original DVD are the theatrical trailer and the vintage documentary "The Dangerous World of Deliverance," which is an interesting contrast to the other bonus material because of its use of behind-the-scenes footage (rather than stills) and showing Dickey working at his university. --David Horiuchi
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| Customer Reviews: Read 184 more reviews...
 ok December 26, 2008
this movie is ok i had buy because believe it or not i never seen it before. it was ok, but not too thrilling.
NEEDS REMASTERING. FILM: Wonderful. Transfer: Not so much... December 2, 2008
1 out of 4 found this review helpful
The transfer of this film appears to be the same MPEG transfer as the one used for the DVD version. It DOES NOT appear to be a new 1080p 4k re-mastering of the film. This is not to say that it doesn't look much better in Blu-Ray than it does on DVD. But it is not, evidently, a brand new 1080p 4k transfer made expressly for Blu-Ray release. This can cause some problems, depending on your display system and settings. You may have to select a different input palette or profile on your display, or adjust your settings.
If your system is setup to show Blu-Ray films using the "Cinema" and "Movie" profile of your display, which assumes a low contrast, subdued display of a wide range source that takes full advantage of the display's capabilities, then this film may look washed out, have milky blacks and generally be displeasing. You may have to select a "Standard" profile, with a narrower contrast band, higher gamma and so forth, to bring the film back into the range for which it was originally transferred. Doing so with this film yields remarkable results, it suddenly "snaps to" and produces the sort of effect you were after with a Blu-Ray disc.
As happened in past generations of video standards, VHS to LaserDisc, LaserDisc to DVD, standard definition 480i to "high def" 1080i, and now 480p progressive scan DVD to 1080p Blu-Ray, the studios are cutting corners and, with some titles, re-issuing transfers that were "pretty good" for the prior standard on newer media without re-mastering them for the full potential of the newer media.
Many, if not most, of the Blu-Ray discs I have seen have been remastered at the highest levels with all the capability of Blu-Ray in mind. If you have a 1080p display, and have properly adjusted and configured it, then you are probably in video and film heaven.
Sadly, some major film titles are being "shoved out there" with just their old 1080 MPEG transfers, re-issued on the new Blu-Ray format. This appears to be one of them. If you adjust your display properly, for what's on the disc, you will get very good results. But don't expect it to look great with the settings you would use for a properly made, new 4k transfer for Blu-Ray.
 Only 30 years late in seeing this movie October 6, 2008
I think I'm one of the only baby boomers who hasn't seen this movie. Not a bad movie considering the technology available at the time.
 Dull and overrated September 10, 2008
0 out of 7 found this review helpful
New on the Fox Network: When Good Movies Go Bad!
Or, a review of John Boorman's 1972 film Deliverance, which he produced and directed, based upon James Dickey's 1970 novel of the same name. Dickey also wrote the screenplay, which explains a lot, especially if you are familiar with his `poetry.' The actual look of the film, however, is sensational. The cinematography of nature, by Vilmos Zsigmond, is still stunning after thirty-five years- especially those scenes shot in twilight, dusk, and night, and the first forty-five or so minutes sets the basis of a good tale which could have been something really special. Then, Dickey digs into his own personal bag of fetishes (his most famous poem is The Sheep Child, about bestiality) and latencies and the film becomes an almost nonstop stream of a narrative propelled by the Dumbest Possible Action theory of film.
Although the coinage of that term arrived a few years later than this film, Deliverance is as fine an example of that genre as there is. The term arrived in the early 1980s, when a spate of slasher films from the Halloween to the Nightmare On Elm Street to the Friday The 13th series, to their even cheaper knockoffs, were always dependent upon the early success of their villains stemming from the utter stupidity of their victims, to wit: big breasted cheerleader is alone in a dark house, hears a scream from down an even darker hallway, yet rushes headlong toward the scream, all the while knowing that a serial killer is lurking about. In similar fashion, this film goes from a realistic portrayal of masculine mores to a silly, unrealistic, A to B to C pointless film. The turning point comes when one of the four male leads is sodomized forcefully by a hillbilly and his toothless gun-toting crony.... the film finally founders because it lacks real situations, characters, and philosophy. After all, it's difficult to get truly philosophic after a character's been torpedoed by a hillbilly, and so a film that could have been a realistic and philosophic exploration of characters, and male character, devolves into a ridiculous melodrama of revenge, deceit, and perversion. Boorman is a noted filmmaker, but he's never been considered one of the great auteurs, and a film like Deliverance shows why. Some have accused me of gleeing in bad art. I don't. But needling the bad is a palliative over the depression bad art brings. This is especially true when a work of art could have been good, even great, but actively chooses to demean itself and its audience. This film proves that while James Dickey's body died in 1997, something far more essential died long before, or was never birthed; and in that I'm not talking about anything to do with morality. When you've figured out what that was, you'll understand Deliverance a whole lot better.
 Item never received. September 7, 2008
0 out of 10 found this review helpful
This item was ordered over 4 weeks ago and was never received. I have emailed the seller twice and am yet to receive the movie.
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