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| The Big Sleep; Farewell, My Lovely; The High Window (Everyman's Library) | 
enlarge | Author: Raymond Chandler Publisher: Everyman's Library Category: Book
List Price: $27.50 Buy New: $12.00 You Save: $15.50 (56%)
New (28) Used (11) Collectible (1) from $12.00
Avg. Customer Rating: 6 reviews Sales Rank: 177238
Media: Hardcover Number Of Items: 1 Pages: 704 Shipping Weight (lbs): 1.6 Dimensions (in): 8.1 x 5.1 x 1.4
ISBN: 0375415017 Dewey Decimal Number: 813.52 EAN: 9780375415012 ASIN: 0375415017
Publication Date: October 15, 2002 Availability: Usually ships in 1-2 business days Condition: Brand New! May have ink mark on book edge and/or very light shelf wear
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| Similar Items:
| • | The Lady in the Lake, The Little Sister, The Long Goodbye, Playback (Everyman's Library) | | • | Raymond Chandler: Collected Stories (Everyman's Library) | | • | The Maltese Falcon, The Thin Man, Red Harvest (Everyman's Library) | | • | The Postman Always Rings Twice, Double Indemnity, Mildred Pierce, and Selected Stories (Everyman's Library Classics) | | • | Complete Novels: Red Harvest, The Dain Curse, The Maltese Falcon, The Glass Key, and The Thin Man (Library of America #110) |
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| Editorial Reviews:
Product Description (Book Jacket Status: Jacketed)
Raymond Chandler’s first three novels, published here in one volume, established his reputation as an unsurpassed master of hard-boiled detective fiction.
The Big Sleep, Chandler’s first novel, introduces Philip Marlowe, a private detective inhabiting the seamy side of Los Angeles in the 1930s, as he takes on a case involving a paralyzed California millionaire, two psychotic daughters, blackmail, and murder. In Farewell, My Lovely, Marlowe deals with the gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women. In The High Window, Marlowe searches the California underworld for a priceless gold coin and finds himself deep in the tangled affairs of a dead coin collector.
In all three novels, Chandler’s hard-edged prose, colorful characters, vivid vernacular, and, above all, his enigmatic loner of a hero, enduringly establish his claim not only to the heights of his chosen genre but to the pantheon of literary art.
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| Customer Reviews: Read 1 more reviews...
A fine collection of some of the greatest hardboiled fiction ever published November 19, 2008 I recently decided to reread all of Raymond Chandler as part of a reading project I have undertaken on American hardboiled fiction and the development of film noir. I didn't care for the very old and rather battered mass market editions that I owned. I had intended to get all of Chandler in the Library of America editions, but the second I realized I could get the same thing in Everyman editions I instantly changed my mind. Although the LOA edition includes Chandler's film scripts as well, I prefer the Everyman in every other way. In fact, the current generation of Everyman editions is hands down my favorite editions of any books. Whenever I want to read or reread a classic, I always check to see if there is an Everyman edition. For instance, when I reread Margaret Atwood's THE HANDMAID'S TALE, I was delighted to see that it was available in and Everyman edition and so I upgraded from my old mass market copy. The only recent exception to this was when I came to Dashiell Hammett. In order to do justice to his stories I've had to get a mixture of editions, primarily because the Library of America left so many stories out of their collection of his crime stories. And while Everyman has a beautiful edition of THE WEALTH OF NATIONS by Adam Smith, the right wing propaganda publisher Liberty Books (the publishing wing of the Heritage Foundation) publishes an amazingly inexpensive reprint of the Glasgow Edition (the major academic edition of Smith's works), originally published by Oxford University Press.
The Everyman editions are everything books should be. They are bound in cloth. They are sewn in signatures. The paper is an acid-free cream-colored paper that is nonreflective and featuring a beautiful font. The volumes are inviting and marvelous to hold. And I love the page size. Each book is approximately the size of a trade paperback. It is as if the publisher sat down to design the perfect book. Whether that was their intent, it was the result.
This volume contains a wonderful introductory essay by Diane Johnson along with the first three novels that Raymond Chandler wrote. Of the great writers, Chandler got possibly the latest start. He was in his mid-forties when he first started writing for publication and fifty when THE BIG SLEEP was released. In one way he did nothing that had not already been done by Dashiell Hammett, but there is no question he put his own indelible stamp on the hardboiled genre. The difference between what Chandler and Hammett were doing and what, say, Agatha Christie and Dorothy Sayers and other drawing room detective novelists were doing was vast. The whole point of a Christie or Sayers novel was the solving of the mystery. The story was built around a puzzle. For Chandler, on the other hand, the story was almost an afterthought, almost a triviality. He seems to have expended very little thought on his plots. Instead, he focused all of his energies on character, narrative, and dialogue. Has any writer every written so many great metaphors or similes? "He looked about as inconspicuous as a tarantula on a slice of angel food." His books (and stories) contain dozens if not hundreds of similar lines. He is almost unquestionably the most imitated writer in history, as scores of other writers have either emulated or parodied his prose style.
Although he published THE BIG SLEEP at age 50, it bears none of the marks of a neophyte writer. It does have a cynical world weariness that was not at odds with Chandler's own worldview. Philip Marlowe is a knight errant, but a battered one. In one of Chandler's greatest short stories, "Red Wind," Marlowe is hired to find a stolen set of pearl's that a woman was given by her one true love, a man who had died before they could be married. Marlow recovers the pearls, only to realize that they were fake. Knowing that they will be examined closely upon their return and revealed (and their giver along with them) as fakes, he has some poor fakes made instead. He then tells his client that the pearls had already been sold and presents her with the fakes in their stead. He thereby protects the woman's life sustaining delusion that she had once been loved by a truly good man. The story ends with Marlowe sitting on a rock in Malibu tossing the pearls one by one into the Pacific. Marlowe knows have nasty the world can be, but he is determined to protect the few good and comforting things that he can.
This volume collects Chandler's first three novels. The first two are among his greatest. The third, THE HIGH WINDOW, is very readable and fun, but many of the plot devices are atrocious, such as the outrageous conceit that a near unknown would give Marlowe his apartment key so that he could later get into his apartment and discover his dead body. And there is a far-fetched gun switching device that indicates that Chandler simply couldn't be bothered to improve upon. But THE BIG SLEEP and FAREWELL, MY LOVELY are both wonderful novels, full of wonderfully savage prose, demented characters, and descriptions of a Los Angeles that helped give birth and form to countless film noirs.
Thanks to Everyman, it is very simple to collect all the Raymond Chandler you'd ever want to own. There is a second collection of novels, which includes THE LADY IN THE LAKE, THE LITTLE SISTER, THE LONG GOODBYE, and PLAYBACK (the latter the lone truly bad Philip Marlowe novel, written near the end of Chandler's life and following the death of his beloved wife). And THE COLLECTED STORIES brings together the truly remarkable group of tales that Chandler wrote, most before publishing THE BIG SLEEP, many featuring Philip Marlowe. I strongly recommend all of them. Along with Dashiell Hammett (collecting whose major work is a far more complex affair) and Ross MacDonald, this is the very heart of American hardboiled fiction.
chester blasczak review of The Big Sleep-Everymans library July 7, 2008 0 out of 1 found this review helpful
Having seen The Big Sleep film many times..my favorite Humphrey Bogart movie, I thought it might be fun to read the novel by Raymond Chandler. I am so glad I did. Not only was it an enjoyable page turner, but it filled in some of the questions I have always had about the movie plot. Chandler is an amazing author, And Phillip Marlowe is an awesome character. Highly recommend to anyone who enjoys reading a novel with lots of excitement and surprises. ps: The Everyman's Library series is outstanding in quality, and given Amazons generous discount, a real value.
Get it. Get this edition. May 30, 2008 Not whether to get it -- for you must -- but which edition to get it in -- that is the question. And the Everyman's edition is the edition you want. It has three novels to Modern Library's two, and its paper is thicker than that of the Library of America edition. The font is a tad smaller than that in the Vintage Crime paperback editions, but still pleasantly readable. And the hardcover binding is a sturdy, beautiful and very strokable red cloth.
As for the novels themselves, well, suffice to say, they are classics: addictive, page-turning, vivid, funny, haunting. The characters are original and believable. All rendered in tight prose and witty, convincing dialogues.
Enjoy.
As Hard-boiled as it gets.... October 10, 2007 1 out of 1 found this review helpful
"It was about eleven o'clock in the morning, mid October, with the sun not shining and a look of hard wet rain in the clearness of the foothills. I was wearing my powder-blue suit, with dark blue shirt, tie and display handkerchief, black brogues, black wool socks with dark blue clocks on them. I was neat, clean, shaved and sober, and I didn't care who knew it. I was everything the well-dressed private detective ought to be. I was calling on four million dollars."
- Philip Marlowe in The Big Sleep
And thus began the criteria for what a private eye would look like and what his moral code would be. Raymond Chandler, author of the Philip Marlowe series of crime novels, set the bar high and generations would follow in his writing footsteps.
Raymond Chandler is considered to be one of the most influential writers of crime fiction and his phenomenal creation of the detective Philip Marlowe has survived decades.
Every time a modern reader discovers a new private eye who is facing some interesting and very tough times but is able to do it with integrity and a strict moral code alongwith a "soldier's eye"; you are meeting Raymond Chandler the writer all over again. And Philip Marlowe his creation is playing a pivotal role in the background.
Raymond Chandler wrote seven detective novels but THE BIG SLEEP is probably his best out of the three in this edition. He was in his fifties when he wrote these novels; yet the first novel cited: THE BIG SLEEP would become an American landmark in the hard-boiled detective genre and would really launch Chandler into the icon that he is today.
The reader will discover unified themes with strong and fully developed characters with incredible imagery and metaphors. Chandler's literary style is distinctive and very crisp. You will love his writing and it brings back nostalgia for a time long past. If you are new to hard-boiled detective stories, this is the series that I would start with
In the first novel THE BIG SLEEP you will be introduced to the Sternwoods: General Sternwood, Vivian and Carmen and all three are interesting studies and all three as General Sternwood notes hasn't "any more moral sense than a cat." General Sternwood is on his deathbed and hired Philip Marlowe to check out why he was being blackmailed by one Arthur Gwynn Geiger. His two daughters, Vivian and Carmen, are quite a handful but General Sternwood feels in part responsible for his plight. As he tells Marlow, "I need not add that a man who indulges in parenthood for the first time at the age of fifty-four deserves all he gets." He describes his two daughters as being "spoiled, exacting, smart and ruthless with the younger girl as being the type who likes to pull wings off flies".
Chandler's novels do highlight crooks and morally-corrupt characters and derelicts, but they are counter-balanced by Marlowe, Bernie Ohls, and General Sternwood--all of whom possess a strong sense of honor, a consideration of what is proper and are for the most part trying to live a life above board.
There are numerous murders that take place in all three of these detective Marlowe novels and a tight interwoven plot which will keep you on the edge of your seat until you get to the last page.
Just as an interesting sideline, when THE BIG SLEEP (the first of Chandler's novels) was published in 1939 there was only an advance of 5,000 copies by Alfred A. Knopf. However, Knopf knew the power and the contribution that this novel would make. They actually took out an advertisement for this book on the front cover of the Publisher's Weekly which was most unusual for a novelist's first book.
The dust jacket flaps read:
"Not since Dashiell Hammett appeared has there been a murder mystery story with the power, pace, and terrifying atmosphere of this one. And like Hammett's this is more than a "murder mystery": it is a novel of crime and character, written with uncommon skill in a tight, tense style which is irresistible."
And so it was. I would highly recommend reading these crime novels and being introduced to Philip Marlowe. THE BIG SLEEP was made into a movie starring Bogart and Bacall with the screen play being written by William Faulkner no less.
Don't miss these novels. I almost did.
Note: This Everyman's Library is a great buy. It is a hardcover and for $18.15 with some offerings of $14.95, the buyer can get three (3) Chandler novels. The paperback for THE BIG SLEEP alone is $10.36!
Rating: A
Bentley/October 2007
The Big Sleep; Farewell, My Lovely; The High Window (Everyman's Library)
Chandler reigns January 21, 2006 2 out of 2 found this review helpful
I first came across Chandler when I heard the Coen brothers interview and discovered that 'The Big Lebowski' was written in the style of one (name itself being derived from 'The Big Sleep'). This alone interested me enough to buy and read The Big Sleep.
Six novels later, I'm still reading Chandler novels, and still finding each and every one different, interesting and intriguing. The main character Marlowe is a wisecracking detective, wary of women - whom he obviously mistrusts - except for the "bad type of women", for whom he does not particularly care. He is also a complex, intelligent man, often an altruist who goes to some extraordinary lengths for his clients, even when he's not paid.
Novels are usually set in 30's/40's Hollywood and Bay City (which is since called something else), and are especially nostalgic, if you've lived in the surrounding areas.
Chandler's writing is funny and unique - the stories - all told in first person, are written so that the reader is both aware of Marlowe's conscious thoughts, and at the same time, when the ending or some pivotal point in the story arrives - is not. This point is not easy to describe, but it works extremely well - the stories are always amusing, captivating, and suspenseful.
I will easily recommend any Chandler novel for anyone interested in mysteries, as well as to those that enjoy unconventional styles of storytelling.
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