MuzzleGear.com: Muzzleloader Books: The Prelude, 1799, 1805, 1850 (Norton Critical Editions)
Merry Christmas!  
View Cart  
Customer Service 
Site map 
Search Advanced Search
 Location:  Home » Books » British & Irish » The Prelude, 1799, 1805, 1850 (Norton Critical Editions)  
Guns
Knight
CVA
Traditions
Thompson Center
Pisolts / Revolvers
Accessories
Powder Flasks
Powder Measures
Bullet Starters
Ramrods & Ramrod Accessories
Cappers
Shooting Patches
Speed Loaders
Nipple Accessories
Accessory Packs
Cleaning Accessories
Scopes & Sights
Accessories By Manufacturer
Thompson Center
Traditions
Knight
Truglo
Books, Magazines, & DVDs
Books
Magazines
General Hunting DVD's
Community
Discussion Fourm
Muzzleloading Blog

Email Newsletter
Get info on Sales, Events, New Products, and More!



The Prelude, 1799, 1805, 1850 (Norton Critical Editions)
Author: William Wordsworth
Publisher: Norton
Category: Book

Buy Used: $132.66



Avg. Customer Rating: 4.0 out of 5 stars 4 reviews
Sales Rank: 2895462

Media: Hardcover
Edition: 1st
Number Of Items: 1
Pages: 684

ISBN: 0393044963
EAN: 9780393044966
ASIN: 0393044963

Publication Date: 1979
Availability: Usually ships in 1-2 business days
Condition: Title in very good condition. Thousands of satisfied customers!

Also Available In:

  • Paperback - Prelude: 1799, 1805, 1850 (Norton Critical Edition)

Similar Items:

  • Coleridge's Poetry and Prose (Norton Critical Edition)
  • Shelley's Poetry and Prose (Norton Critical Edition)
  • Blake's Poetry and Designs (Norton Critical Editions)
  • Byron's Poetry (Norton Critical Edition)
  • William Wordsworth - The Major Works: including The Prelude (Oxford World's Classics)

Editorial Reviews:

Product Description
This book is the first to present Wordsworth's greatest poem in all three of its separate forms. It reprints, on facing pages, the version of The Prelude that was completed in 1805, together with the much-revised work published after the poet's death in 1850. In addition the editors include the two-part version of the poem, composed 1798-99. Each of these poems has its distinctive qualities and values; to read them together provides an incomparable chance to observe a great poet composing and recomposing, through a long life, his major work.


Customer Reviews:

5 out of 5 stars A beautiful epic, with an English Romantic spin   April 1, 2003
 12 out of 13 found this review helpful

It is interesting that Wordsworth should never have published his most impressive poem. Norton calls it the "most original long poem since Milton's Paradise Lost," and it certainly deserves to be ranked alongside the master of the English epic. This poem was not published until after Wordsworth's death in 1850, and there are several versions of it (which are included in this book). The 1798-1799 version is very short, but the 1805 is expanded and includes many epic devices which Wordsworth borrowed from Milton and others. The 1850 version is basically a revised 1805 edition. It is not necessary that you read all three versions of the poem to understand its power, but it is useful to have them all at hand like this.

The Prelude is an autobiography about Wordsworth's early life. It is full of sublime images of the world through the eyes of a Romantic, and includes some of the most beautiful imagery ever set to verse in English (I believe). Wordsworth's reflections about the evils of ambition and self-absortion, among other things, are also very powerful.

This poem has been widely quoted by such Christian authors as CS Lewis, and has been admired by many great English poets. It is truly a masterpiece, an epic poem done in the tradition of English Romanticism. You can get this poem in many compilations, but usually in abridged form. This edition features the poem in its entirety, and in three version. This poem is essential to any study of English Romanticism.


5 out of 5 stars five stars   June 9, 2001
 9 out of 10 found this review helpful

This book articulates a vision of the world and of the emotions it inspires in a cerebral, yet densely imaged poem. Wordsworth did not want the poem published for fears that it was too self-absorbed; adressing earlier reviews that have made this complaint, it is true that the poem is self absorbed in that it presents the vision of the world from an individual perspective...as all poems do. I find Eliot's use of quotations and footnotes drawing on his banks of memory and reading to be far more self-absorbed than this: a poem intended to communicated clearly. It is true that it is personal in that it was written to a friend with devotion and love, but this does not detract from the power of the language, the power of the vision, and the impact of the poem upon the age(s). As for comparing Wordsworth to a modernist, that comparison is difficult to make as the modernists rejected the romantic's formal language and optimism (both present in the prelude, despite moments of recognition of a bleak 'wasted' world).


5 out of 5 stars Wordsworth: Poet of Anxiety   April 28, 2000
 20 out of 21 found this review helpful

I entirely disagree with the prevailing reviews on The Prelude. We have no other secular poem about the futile search for meaning in a meaningless world so fine as the Prelude: it is the Paradise Lost of those who search or long for a fleeting significance. What is significant about the poem is not that we believe what Wordsworth claims about the power of nature and the mind, but that he tried so hard to search out some sense of meaning and order- Wordsworth is the first Modernist writer before there was a name for his anxiety. This edition is wonderful in the way that it presents the 1805 and 1850 versions on opposite pages- it also contains the 1799 version- a real tour de force. Read The Prelude, read it carefully and take it too heart- there is no Song of Myself without Wordsworth's humane yet Promethean quest for significance.


2 out of 5 stars self obsessed and dull   July 20, 1999
 5 out of 51 found this review helpful

I used to like the Romantics - but this revealed to me the extent to which they were all immersed in their own selves so much they couldn't see beyond the individual. Wordsworth is long-winded and dull in linguistic terms, but admittedly some of the imagery (boat-stealing episode) is inspired. It is, fundamentally, all about himself though, and traces his own poetic growth which is interesting as a topic, but not the way Wordsworth does it. He throws in a few token pictures of the poor, who he was so concerned about, but these tend to be superficial compared to his own self. Dull, dull, dull, a complete waste of time. If you have to read it for a course, get the york notes or only read the 1799 version

Site by: Troy Peterson

Muzzlegear is an Associate of

About us | Contact Us | Privacy Policy | Disclaimer
Copyright © 2007 MuzzleGear.com
The MuzzleGear.com Logo, "Load. Prime. Shoot.", and MuzzleMail
are Trademarks of MuzzleGear.com