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| Martin Puryear | 
 enlarge | Authors: John Elderfield, Elizabeth Reede, Richard Powell, Michael Auping, Martin Puryear
Publisher: The Museum of Modern Art, New York
Category: Book
List Price: $60.00
Buy New: $37.64
You Save: $22.36 (37%)
New (29) Used (5) from $37.64
Avg. Customer Rating:  3 reviews
Sales Rank: 70528
Media: Hardcover
Number Of Items: 1
Pages: 192
Shipping Weight (lbs): 3.5
Dimensions (in): 12.3 x 9.8 x 0.9
ISBN: 0870707140
Dewey Decimal Number: 709
EAN: 9780870707148
ASIN: 0870707140
Publication Date: November 1, 2007
Availability: Usually ships in 1-2 business days
Condition: Brand New, Perfect Condition, Please allow 4-14 business days for delivery. 100% Money Back Guarantee, Over 1,000,000 customers served.
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| Editorial Reviews:
Amazon.com Review
Martin Puryear's sculpture has received increasing acclaim in the years since 1989, when he was awarded a MacArthur Foundation grant and the grand prize at the Sao Paulo Bienal, where he was the sole United States representative. Prepared to accompany a 1991 exhibition of his work at the Art Institute of Chicago, this cleanly designed and generously formatted catalog reflects the powerful simplicity of Puryear's work. Between two informative essays by Robert Starr and Neal Benezra, then curator of 20th-century painting and sculpture at the Art Institute, is a generous plate section reproducing more than 30 of Puryear's major works from 1974 to 1990. His sculpture is both meticulously crafted and completely unbound, evoking the most elemental forms of nature and landscape.
Product Description
Over the last 30 years, Martin Puryear has created a body of work that defies categorization, creating sculpture that examines identity, culture and history. Departing from the impersonal and machined aesthetic of Minimalism, Puryear's work combines Modernist abstraction with the traditions of crafts and woodworking, in shapes informed by the natural and by ordinary objects, made with materials such as tar, wood, stone and wire. It is quiet but deliberately associative, encompassing wide-reaching cultural and intellectual experiences and drawing on a huge and varied reserve of images, ideas and information. As a high school and college student, the artist studied ornithology, falconry and archery, and in the 1960s he volunteered with the Peace Corps in Sierra Leone, where he schooled himself in the region's indigenous crafts; these are only a few of the influences and methods that have embedded themselves in his work. And the sources of his works are no less varied than the possible and open-ended interpretations: "I think there are a number of levels at which my work can be dealt with and appreciated," Puryear said in a 1978 interview. "It gives me pleasure to feel there's a level that doesn't require knowledge of, or immersion in, the aesthetic of a given time or place."This volume is published on the occasion of the artist's Fall 2007 exhibition at The Museum of Modern Art, which travels from New York to Fort Worth, Washington, D.C. and San Francisco. It follows Puryear's development from his first solo show in 1977 to new works that are presented here for the first time and contains essays by John Elderfield, Michael Auping and Elizabeth Reede, and a conversation with the artist by Richard Powell.
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| Customer Reviews:
Puryear is in a class of his own. September 10, 2008
An excellent work with great photos and text. A beautiful book that could be enjoyed by anyone interested in expertly crafted contemporary art.
A Long Overdue Retrospective of one of America's greatest living artists. April 10, 2008
1 out of 1 found this review helpful
Martin Puryear, like Louise Bourgeois , defies categories and this makes him a challenge for anyone organizing an exhibition or a book for that matter. His workmanship is outstanding and this tends to lead viewer astray into thinking that fine finish is really what he is after. His thought provoking sculptures appear so simple, yet they are both artistically and techinically complex. This book is an outstanding example of what can be done when those producing the book understand the work of the artist they are trying to disaplay.
This artist gives me hope for our world. November 3, 2007
8 out of 12 found this review helpful
Being at the opening of this show at moma was an amazingly wonderful and magical evening. Went to the very exciting opening of this show in NYC and it was truly uplifting to my soul, a very inspired exhibit!!
Emotional content mixed with organic elements of expression. Amazing accomplishment. He is a 30 year ago Art school friend of my friend.
For me it was like a immensely large tree [the art show] growing in the middle of a cement Jungle [NYC]. Signs of life, expression, that are giving me hope .
I Highly recommend this show, and while I agree that moma may not be the best place to show his work, the contrast to that place was so striking that his work seemed very alive and sprouting right through the dullness.
I like this quote from a review:
Unlike other sculptors his age who emerged in the post-minimalist era, he values what he can make with his hands. His efforts are not just conceptual but physical. As critic Michael Brenson once observed, ''Puryear has the ability to make sculpture that is known by the body before it is articulated by the mind."
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